Yesterday I started casting a cow to add to my Indian street scene, the base for moulding this creature was an old Victorian lead toy which was a British model of this animal . With a little help from the magic of Milliput the cow was given an Indian make over with a hump and horns . The next stage of this process is to clean him up with filing and then to gold plate the little chap. Thanks to Kerrianne for showing me the ropes and helping with the creation of this farm animal.
Tuesday, 12 April 2011
The day the cow got cast.
Yesterday I started casting a cow to add to my Indian street scene, the base for moulding this creature was an old Victorian lead toy which was a British model of this animal . With a little help from the magic of Milliput the cow was given an Indian make over with a hump and horns . The next stage of this process is to clean him up with filing and then to gold plate the little chap. Thanks to Kerrianne for showing me the ropes and helping with the creation of this farm animal.
Tuesday, 29 March 2011
Degree Show Preview
Sunday, 13 March 2011
Noah's Ark

These are images of early 19th century toys made from wood, tin and lead that have been an inspiration to my current enamelling project. This Noah's Ark (1830s) was the only toy allowed to bought out of the play box on a Sundays due to it's religious connotations. Tin toys began to make an appearance on the markets, shops and stalls in the 1880s. Germany in the early 20th century was the leading country in tin toy production this came to a halt when war began . Lead was used in toy production although it was halted to a stand still in the 20th century due to the damaging effects the metal can have on one's nervous system which can cause blood and brain disorders.
Wednesday, 23 February 2011
Enamelled Temple.
Friday, 11 February 2011
Hoop Bird
Sunday, 30 January 2011
Dirty Martini and Wasabi Green


This weekend a few fellow jewellers descended on another Helen's glass making workshop. There were a huge amount of coloured rods that when melted and combined turned into beautiful glass beads. Helen made a tricky skill look very straight forward to master until one is having a go and realise its takes a huge amount of practice and skill to achieve the detail and colour combinations that are found in Helen's work. The stacks of rods all piled up together made it difficult to make one's mind up about which one to select for making into bead. I loved some of the names such as a light blue rod entitled Dirty martini or my favorite shade of green known in the glass world as Wasabi.
Tuesday, 18 January 2011
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